Sunday, January 12, 2025

How Iran’s Kordasht is a beacon for heritage tourism

 By Afshin Majlesi

JOLFA – Nestled in the tranquil landscapes of Iran’s East Azarbaijan province, the village of Kordasht serves as a living monument to history. It resonates with the courage of Iranian soldiers who defended their homeland against Tsarist Russian invasions over the decades.

A mere 70 kilometers from the vibrant town of Jolfa, on the southern banks of the Aras River, lies a historical treasure; a blend of strategic military heritage and architectural marvels.

This is the story of a ruined fortress used by the troops of Abbas Mirza, the Qajar crown prince of Iran during the reign of his father Fath-Ali Shah Qajar (r. 1797–1834), and the neighboring attractions such as the Kordasht Bathhouse.

How Iran’s Kordasht is a beacon for heritage tourism

Perched atop a rocky hill about 650 meters above sea level, the fortress offers an unparalleled view of the Aras River and the Armenian border. The stronghold served as the pivotal base for Abbas Mirza during the turbulent Russo-Persian Wars of the 19th century.

The fortress’s robust stone and brick walls once bristled with six imposing watchtowers, which, even in their worn state nowadays, still radiate a sense of resilience.

Standing here, you can almost hear the echoes of soldiers on guard, protecting the realm against the invading forces.

How Iran’s Kordasht is a beacon for heritage tourism

The fortress, however, despite its brave defenders, succumbed to Russian troops during the tumultuous events that led to the Treaty of Turkmenchay, an agreement signed in 1828 that ended the Russo-Persian War (1826–1828).

Although time and conflict have taken their toll, remnants of its lavishness remain, offering adventurers a glimpse into its storied past.

Just a stone’s throw from the fortress lies the Kordasht Bathhouse, a striking example of Persian ingenuity and luxury. Originally constructed during the Safavid era under Shah Abbas I, this bathhouse was initially reserved for royalty, earning the nickname “the royal bath.”

How Iran’s Kordasht is a beacon for heritage tourism

Over time, under Qajar rule, its doors opened to the public, but the bathhouse eventually fell into disuse before being rescued by cultural heritage initiatives in recent decades.

The bathhouse is a masterpiece of Iranian-Islamic architecture. It welcomes visitors through a series of gracefully descending stairs, leading to an octagonal dressing hall known as Rakhtkan or Sarbineh. The dome above, supported by intricately carved octagonal columns, boasts breathtaking stucco work illuminated by shafts of natural light from marble-covered skylights. This clever design not only provided uniform lighting but also maintained privacy which is a hallmark of Persian bathhouses.

How Iran’s Kordasht is a beacon for heritage tourism

The Khazineh (hot room) is another marvel. Its four-columned space features ingenious heating systems and decorative flourishes that speak of a bygone era’s attention to detail. The bathhouse’s layout seamlessly integrates functionality with aesthetic elegance, with every corner; from triangular pools to ornate stone footrests, all are crafted for both utility and beauty.

How Iran’s Kordasht is a beacon for heritage tourism

The charm of Kordasht extends beyond its historical structures. Encircled by verdant gardens and the flowing waters of the Aras, this village is a haven for nature lovers as well.

The fortress and bathhouse are part of a larger complex that includes a smaller bathhouse, the Diwan Khaneh (reception hall), the Yakhchal (traditional ice house), and the crazy Qarib Mosque. Each structure offers its own unique window into the bygone age.

How Iran’s Kordasht is a beacon for heritage tourism

All and all, Kordasht is not just a destination; it’s a journey through time. Whether you’re a history enthusiast tracing the steps of Abbas Mirza or a traveler captivated by the intricate art of Persian architecture, this village offers a story that stays long after you leave.

Pomegranate output rises 10,000 tons

TEHRAN- The production of pomegranate in Iran has increased 10,000 tons in the current Iranian calendar year (started on March 20), as compared to the previous year, an official from Ministry of Agriculture announced.

Zahra Jalili-Moghaddam, the director-general of Ministry of Agriculture for tropical and semi-tropical fruits, said that the area of pomegranate orchards in the country is 96,000 hectares, and from this area, about 1,340,000 tons of products were produced this year, which shows an increase of 10,000 tons compared to last year.

Iran’s Deputy Agriculture Minister for Horticulture Affairs says horticultural products account for about 50 percent of the country’s annual agricultural exports and Iran exports about $3.0 billion of such products every year.

According to Mohammad-Mehdi Boroumandi, Iran exports nearly three million tons of horticultural products to more than 100 countries around the world, annually.

“With about three million hectares of gardens in the country, we produce nearly 26 million tons of horticultural products annually,” Boroumandi stated.

He said Iran is self-sufficient in the production of all kinds of fruits, except for four tropical fruits: banana, pineapple, coconut, and mango. Of course, these are produced in the country, but the production does not meet the domestic demand.

“We are among the countries in the world that use the least amount of chemical fertilizers and pesticides, the average consumption of pesticide per hectare in the world is more than 2.5 kilograms or 2.5 liters per hectare, while we use less than one liter,” the official further said.

He further mentioned some of Iran’s capacities in the agricultural sector, especially in horticultural production, saying: “In the north, in Mazandaran province, which is the center of citrus production in the country, we produce three million tons of citrus fruits every year, including oranges and tangerines, and we also produce kiwis in Mazandaran and Gilan provinces, that's why we rank fourth in the world in kiwi production.”

Bolivia, Venezuela seek to further sci-tech ties with Iran

TEHRAN –Delegations from Bolivia and Venezuela have paid a visit to Iran house of innovation and technology (iHiT) to explore avenues for boosting scientific and technological cooperation with Iran.

The Bolivian delegation, led by defense minister, Edmundo Novello, and the Venezuelan delegation, headed by member of the National Assembly, Francisco Alejandro Torrealba Ojeda, held a joint meeting with Hossein Roozbeh, the head of the Organization for the Development of International Cooperation in Science and Technology, on Sunday, IRNA reported.

The Bolivian official, lauding Iran’s significant progress in various fields of science and technology, said that “enhancing scientific ties will be beneficial not only to our countries but also the region and even the world. We appreciate Iran’s readiness to develop scientific and technological relations with different countries. These collaborations will contribute to expertise exchange, economic growth, and improved quality of life in the two countries.”

For his part, the Venezuelan official commended Iran as one of the leading countries in technology, saying, "Iran is a role model for us and we hope to benefit from Iran’s experience and technical knowledge.

Scientific and technological cooperation can help strengthen the industrial and scientific infrastructure of the countries and lay the basis for further growth and progress in the economic and social sectors.”

Roozbeh also announced Iran’s willingness to further scientific, and technological cooperation with its partners, including Bolivia and Venezuela. 

Highlighting that Iran is proud of its technological and innovative capabilities, the official said Iran welcomes innovative and technological interactions with no limitations. For sure, the collaborations will bring tangible benefits to participating countries.

The official proposed utilizing the upcoming opportunities to conduct joint projects, enhance sustainable development, and strengthen relations. “We are confident that these interactions can open up new opportunities for the economic and scientific growth of all three countries,” Roozbeh further noted.

Iran targets world’s 12th spot in science production

Despite ongoing sanctions, Iran is planning to elevate the country’s ranking for scientific productions from currently 17 to 12 by 2027.

Due to sanctions, economic restrictions, and the limitations on publishing papers by Iranian scholars, particularly during the last three years, Iran’s ranking in scientific productions has lowered from 15 to 17, Shahin Akhoundzadeh, an official with the health ministry, has said. 

The country’s advancement in science production requires compensating for the regression in research and technology through providing funds, facilitating research, and promoting meritocracy which will reduce young elites’ migration, as well, the health ministry’s website quoted Akhoundzadeh as saying.

Scientific associations grow by 23% 

The number of scientific associations as one of the pillars of science in the country has increased from 322 in the Iranian year 1392 (2013 -2014) to 396 last year (ended on March 19), signifying a 22.9 percent growth.

Interdisciplinary and humanitarian associations have experienced the highest growth. Within a decade, the number of interdisciplinary and humanitarian associations has increased from 50 and 102 to 85 and 142, respectively, IRNA reported.

Scientific associations have always played an essential role in producing knowledge and achieving scientific development.

They are the main foundation of institutions beyond political, racial, ethnic, religious, and sexual boundaries.

Scientific associations have emerged in response to the needs of the world of democracy and the enhancement of human solidarity. They have also created an appropriate environment for free thinking and the establishment of a culture of conversations.

Their Independence from governments in finance and human resources, speed of action, high decision-making power, limited bureaucracy, and flexible mechanism bolster their efficiency at national and international levels.

According to data released by Scopus, Iran published 78,225 scientific articles in this database in 2022. Accordingly, Iran is ranked 15th in the world in terms of publication of scientific works for the fourth consecutive year.

Scopus data in 2022 shows that Iran ranks first among countries in the region in terms of the number of scientific publications.

Iran's Resistance Theater can become artistic reference for Muslim nations, Iraqi expert says

TEHRAN- Iran’s Resistance Theater Festival has established significant ties with Muslim countries, Iraqi theater scholar and expert Abdul Karim Abboud has said.

He emphasized that the Resistance Theater Festival can serve as a cultural reference point within the region.

He made the remarks during his visit to Iran for the 19th edition of the International Resistance Theater Festival, which was held in Tehran and various cities across the country from November 28, 2024, to January 8.

He underscored the readiness of the Iraqi theater community to engage with Iran's Resistance Theater Festival. 

In his comments, Abboud highlighted the expansive nature of theater, which encompasses a wide range of subjects, and noted the emergence of a remarkable artistic trajectory in Iraq's theater scene, particularly focusing on themes of resistance.

"The concept of resistance in our theater revolves around the Palestinian issue, the national struggle of the Iraqi people against the Ba'ath regime, the fight against ISIS, and honoring the martyrs," he explained. 

Touching upon the history of theater production in Iraq, he stated that plays focused on resistance have been performed in various cities, including Baghdad and Basra, as well as cities in Iran, such as Khorramshahr and Shadegan. 

"Our performances not only showcase our work in Iraqi cities but also extend to Iranian cities, fostering a mutual exchange," he added. 

Abboud further acknowledged the significance of Iran's theater events, specifically the Resistance Theater Festival, due to their shared thematic focus on resistance. 

"One of the prominent features of Resistance Theater is its emphasis on vital regional and Palestinian issues, which resonate deeply with Arab-speaking artists across Islamic countries," he noted.

He announced the Baghdad Theater Festival's readiness to collaborate and synergize with the Resistance Theater Festival, expressing interest in leveraging the experiences garnered from Resistance Theater. 

"We are keen to benefit from the expertise of Iranian artists, particularly in children's and youth performances, as well as in research and critique," he noted. 

Emphasizing the inclusivity of Islamic countries towards the Resistance Theater Festival, he suggested the establishment of offices and secretariats for the festival in various Islamic nations, including Iraq, Lebanon, and Yemen. This initiative aims to create a seamless communication framework between the festival and Arab-speaking artists. 

He praised the young team managing the Resistance Theater Festival and affirmed, "We are pleased to see trust placed in a young team for the Resistance Theater Festival. We hope to expand the festival's reach to all Muslim countries, as the essence of the Resistance Festival represents a common voice shared by all Muslims." 

Abboud highlighted the Ministry of Culture of Iraq's commitment to empowering talented youth in theater, stating that it aims to invigorate the theatrical landscape with fresh ideas and perspectives, given the youthful forces' ability to connect and engage effectively. 

He also confirmed the Baghdad Theater Festival's openness to hosting Iranian theater groups, acknowledging the deeply-rooted and civilizational ties between Iran and Iraq. 

"Culture, theater, and humanity will serve as the foundation for the solidarity between Iran and Iraq, which is invaluable and will never be severed," he remarked. 

He also pointed out the diversity of themes in theater, noting that subjects with religious, spiritual, and resistance dimensions often attract greater attention. 

"We witness wonderful and positive developments in cities like Babel, Basra, and Mosul, each of which hosts separate festivals," he concluded.

Centuries-old carpets and a mystery unveiled at Golestan Palace

TEHRAN – In an unveiling ceremony held at the iconic Shams-ol-Emareh edifice within the UNESCO-registered Golestan Palace, researchers presented 20 historical carpets selected from a collection some of which shed light on a long-standing mystery surrounding the palace’s architectural history.

Speaking at the event on Monday, Touraj Jouleh, a renowned researcher and expert in Iranian handwoven carpets, detailed documentation and analysis of the palace’s carpets have revealed that Golestan Palace once featured three Ayeneh (Mirror) Halls, each adorned with its own custom-made carpet. Of these halls, only one remains intact today.

Jouleh shared his findings during the event, which marked the debut display of around 20 carpets from the palace’s treasure trove. He explained that Golestan Palace houses 343 handwoven pieces, with 25 carpets meticulously documented so far. Among them is an impressive 110-square-meter carpet once used in the Ayeneh Hall, which has since been retired from public display.

Rediscovery of lost halls

The research revealed that the second Ayeneh Hall belonged to a structure called the “Emarat-e Khorouji” (Exit Edifice), ordered for demolition by Naser al-Din Shah Qajar after his return from Europe.

Jouleh noted that a unique carpet from this hall, preserved in Golestan Palace, offers a tangible link to the now-lost structure.

The third Ayeneh Hall, identified through the study of Shams-ol-Emareh’s architectural remnants, also had a custom carpet. Researchers are currently documenting this piece, with plans to unveil their findings soon.

Historical connections and international interest

Jouleh highlighted the global significance of the research. Articles based on this documentation have been published internationally, sparking collaboration with museums worldwide.

For example, a Bakhtiari carpet documented at Golestan was found to have a matching pair in Tehran’s bazaar and a third version housed in a Pennsylvania museum.

Further discoveries include exquisite carpets from south Khorasan and Malayer, known for their intricate patterns and historical ties to royal commissions. One standout piece, potentially Naser al-Din Shah’s personal prayer rug, reflects the exceptional craftsmanship of its time.

Public exhibition and preservation efforts

The exhibition also celebrates the reopening of Shams-ol-Emareh after six months of renovations. Displayed on the edifice’s first floor, the 20 featured carpets will remain accessible to visitors until the end of the year (March 20).

As Jouleh emphasized, accurate documentation and preservation are vital for maintaining Iran’s cultural heritage. The ongoing efforts aim to make the Golestan Palace carpet collection accessible to researchers and enthusiasts worldwide.

As mentioned by organizers, the unveiling not only reintroduces the historical treasures of Golestan Palace but also invites deeper exploration into its forgotten architectural wonders.

Glimpses of Persian carpet

Persian carpets are sought after internationally, with patterns of Persian garden being arguably the most characteristic feature of them all. Weavers spend several months in front of a loom, stringing and knotting thousands of threads. Some practice established patterns. Some make their own.

Each Persian carpet is a scene that seems ageless, a procedure that can take as long as a year. These efforts have long put Iran’s carpets among the most complex and labor-intensive handicrafts in the world. When the weaving is finally done, the carpet is cut, washed, and put out in the sun to dry.

Throughout history, invaders, politicians, and even enemies have left their impact on Iran’s carpets. As mentioned by the Britannica Encyclopedia, little is known about Persian carpet-making before the 15th century, when art was already approaching a peak.

Golestan Palace

One of the top things to do in the Iranian capital is visiting the most magnificent historical monument downtown; the UNESCO-registered Golestan Palace.

This majestic complex was once the official residence of the Qajar monarchs who ruled the country between 1789 and 1925. It displays a remarkable mixture of ancient Persian and contemporary European architectural styles, which characterized much of Iranian art in the 19th and 20th centuries.

UNESCO states that the complex showcases the architectural and artistic achievements of the Qajar era, highlighting the integration of European motifs and styles into traditional Persian art.

Israeli historian: 'There’s no genocide of Ukrainians, but there is of Palestinians'

Israeli historian and author Ilan Pappe shared his sense of shock about Europe’s response to the genocide in Gaza at the European-Palestinian Network’s conference in Copenhagen.

“What I like about the idea about a Palestinian-European Network is the need to ask a question – how come Europe behaves in an abysmal [way] … [it has] reached such a level of inhumanity, of disregard, of indifference. I wasn’t prepared for that.”

He rhetorically asked why people fly Ukrainian flags in solidarity with the war-torn European nation across the Danish capital but there are no Palestine flags visible.

“Let’s face it, there’s no genocide of Ukrainians, but there is of Palestinians.”

Iran, fifth producer of tile, ceramic in world

TEHRAN- Iran is known as the fifth producer of ceramic and tiles in the world, in terms of size, and it is also the fifth exporter of this product to the world, the chairman of the headquarters to organize the 29th International Exhibition of Sanitary Porcelain Tile and Ceramics Exhibition of Iran stated.

Ahmad Mirzaei added: “Considering Iran's long history of 800 years in the production of traditional tiles, such as the tiles used in mosques and old places in the cities of Yazd, Isfahan, Shiraz, Kerman, Kashan and other cities, a new look has been given to production and export.”

He went on to say that Yazd province, in the center of Iran, is the hub of tile and ceramic production in the country; more than 55 percent of ceramic and tiles are produced in this city, and over 150 factories are active in the field of producing all kinds of tiles with different dimensions, sizes and colors in this province.

The 29th International Exhibition of Sanitary Porcelain Tile and Ceramics Exhibition of Iran opened at the Tehran Permanent International Fairgrounds on Thursday, featuring over 90 domestic and international companies.

Producers of tiles, ceramics, and sanitary ware, as well as manufacturers of machinery, tools, and equipment for the industry, are showcasing their latest achievements and products in this four-day exhibition.

The event also includes participants from related sectors, such as glaze and paint industries, raw materials suppliers, and faucet and sanitary fittings providers.

Key objectives of the exhibition include boosting exports, exploring new export markets, identifying the sector's potential and existing capacities, fostering innovation, and providing a platform for domestic and foreign investors. It aims to create a competitive environment to improve product quality, facilitate direct engagement between manufacturers and consumers, and promote employment and entrepreneurship within the industry.