Beauty of Islamic Calligraphy

LONDON (TRT World) -- Almost a century ago, English orientalist Thomas Arnold travelled to Egypt and was captivated by the beauty of Arabic calligraphy.

As he observed the intricate script adorning everything from grand architectural structures like mosques, palaces and mausoleums to everyday household decorations, Arnold marveled and said “No art has been so much honored or so assiduously cultivated as that of calligraphy.”
Arabic calligraphy was considered as the crowning achievement of Muslim art, and its influence could be seen in things carved out of stone and wood to metal, ceramics, glass, and textiles. Today, Arnold’s observations continue to ring true, and Arabic calligraphy has preserved its cultural vibrancy and unprecedented artistry to this day.
The art of beautiful writing, ḥusn al-khaṭṭ, which in Arabic can mean either “beauty of script” or “beautiful script” and is the exact equivalent of Greek “kalligraphia”, appears in Islamic sources centuries before European scholars such as Jacob Georg Christian Adler, who was the first to study Arabic scripts, came across it in the 18th century and brought the attention of the wider world to this form of art.
In the realm of Islamic culture, the art of calligraphy carries an unparalleled and profound meaning, unmatched by any other religion or culture.
“Purity of writing is purity of soul,” says an old Arabic proverb, highlighting the importance of calligraphy in the Islamic culture.
Islam played a central role in the emergence and development of this art form, says Esra Akin-Kivanc, an Associate Professor at University of South Florida.
“The first word that was said to the Prophet Muhammad was “Iqra” which means to “Read!”. A part of the religious discourse is the written word. So the value of the written word became very important because of this first revelation that was received by the Prophet,” says Bahia Shehab, a historian, activist, and a professor of design at The American University in Cairo.
In its early days, calligraphy was primarily focused on reproducing the religious text, an honorable pursuit at the time. But over time, calligraphy gradually evolved into an art form in its own right, encompassing a wide range of subjects that extended beyond the strictly religious subjects.
“While it is undeniable that calligraphy fulfilled various religious purposes, its significance in other aspects of Muslim life cannot be underestimated,” says Akin-Kivanc of University of South Florida.
“Since the time of the Umayyad Caliphate (661–750 CE), calligraphy was employed to decorate architectural monuments with non-religious functions, in administrative correspondence, coin design, and the copying of literary as well as historical works, demonstrating the art form’s integral role in the everyday lives of Muslims.”
Kufic, a form of Arabic calligraphy, stands as a prominent artistic expression within the Islamic realm, known for its angular strokes, predominantly serving the purpose of transcribing Qur’anic manuscripts.
Kufic script embodies a remarkable display of artistic excellence, sophistication, and aesthetic appeal. Al-Qalqashandi, a renowned encyclopedist from 14th century Egypt said “The Arabic script is the one which is now known as Kufic. From it evolved all the present pens.”